The novel and theatrical imagination in early modern China
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Boston :
Brill,
2011.
|
| Ráidu: | Sinica Leidensia ;
v. 101. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction
- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical
- Part II. Playful theatricals : Shuihu zhuan and Xiyou ji. Staging, spectacles, and acts of recognition; Staging, mimicry, and acts of appropriation; Acting, quren, and the authenticity of incongruity; Acting, jiaren, and the artifice of congruity; Viewing : perceptive and fleshly eyes
- Part III. Didactic theater versus playful theatricals : tropes of theater in Zhishang chuntai and Wusheng xi.