Capturing the beat moment cultural politics and the poetics of presence /
This book investigates the cultural construction of immediacy in Beat writing. It places an expanded canon of Beat writers in an early postmodern context that highlights their importance in American poetics and outlines the effects of gender and race on Beat writing in the postwar years. Mortenson a...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Carbondale [Ill.] :
Southern Illinois University Press,
c2011.
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| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | This book investigates the cultural construction of immediacy in Beat writing. It places an expanded canon of Beat writers in an early postmodern context that highlights their importance in American poetics and outlines the effects of gender and race on Beat writing in the postwar years. Mortenson argues that Beat writers focused on action, desire, and spontaneity to establish an authentic connection to the world around them. He challenges the stereotype of the Beats as simply timeless hipsters by demonstrating their importance to our understanding of the changes occurring in America in the middle of the twentieth century.--[book cover]. |
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| Whakaahuatanga ōkiko: | xii, 226 p. : ill. |
| Rārangi puna kōrero: | Includes bibliographical references and index. |