Pretty film and the decorative image /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Columbia University Press,
2011.
|
| Rangatū: | Film and culture.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: the pretty as troublesome image
- From aesthetics to film aesthetics: or, beauty and truth redux
- Colors: Derek Jarman and queer aesthetics
- Ornament and modernity: from decorative art to cultural criticism
- Objects: oriental style and the arabesques of Moulin Rouge!
- At the crossroads: iconoclasm and the anti-aesthetic in postwar film and theory
- Forms: Soy Cuba and revolutionary beauty
- Perverse prettiness: sexuality, gender, and aesthetic exclusion
- Bodies: the sumptuous charms of Ulrike Ottinger
- Postscript: toward a worldly image.