Kazan revisited
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Middletown, Conn. :
Wesleyan University Press,
c2011.
|
| Rangatū: | Wesleyan film.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction / Lisa Dombrowski
- On Kazan the man / Jeanine Basinger
- The quiet side of Kazan / Kent Jones
- Elia Kazan, seen from 1973 / Jonathan Rosenbaum
- "The director, that miserable son of a bitch" : Kazan, Viva Zapata! and the problem of authority / Leo Braudy
- Mr. Kazan goes to Washington : a case study in misguided ambivalence / Victor Navasky
- Man on a tightrope : Kazan as liberal anticommunist / Brenda Murphy
- "Independence" and the "art film" : Baby doll and after / Brian Neve
- The search for humor and humanity in Baby doll and A face in the crowd / Sam Wasson
- A straight director's queer eye, 1951-1961 / Mark Harris
- The other side of the story : Elia Kazan as director of female pain / Savannah Lee
- Documentary and democracy in Boomerang! and Panic in the streets / Andrew Tracy
- Elia Kazan and the semidocumentary composing urban space / Patrick Keating
- Choreographing emotions : Kazan's cinemascope staging / Lisa Dombrowski
- Lost river / Richard Schickel
- Late Kazan, or the ambiguities / Haden Guest.