The new entrepreneurs an institutional history of television anthology writers /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Middletown, Conn. :
Wesleyan University Press,
c2010.
|
| Rangatū: | Wesleyan film.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Between the television and book publishing industries : anthology writers and their struggle for authorial identities
- Between the television and theater industries : representations of race in Rod Serling's "Noon on doomsday"
- Between the television and motion picture industries : Paddy Chayefsky's "Marty" as art cinema
- New strategies for entrepreneurship : Reginald Rose, The defenders, and the 1960s television industry
- A new zone of production? Rod Serling's attempt to redefine the role of the writer in the 1960s television industry.