Broken harmony Shakespeare and the politics of music /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Ithaca :
Cornell University Press,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Titus Andronicus and the production of musical meaning
- "Her speech is nothing" : mad speech and the female musician
- Teaching music : the rule of allegory
- Impolitic noise : resisting Orpheus from Julius Caesar to The tempest
- Shakespeare's idolatry : psalms and hornpipes in The winter's tale
- The reforming of reformation : Milton's A maske.