Caterpillage reflections on seventeenth century Dutch still life painting /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York :
Fordham University Press,
2011.
|
| Eagrán: | [1st ed.]. |
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Prologue
- Hyperreality and truthiness
- Reading Blake's "The Sick rose"
- Ethics versus technics in seventeenth-century Dutch still life
- Vanitas : the McGuffin of still life
- Still life, trade, and truthiness
- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615
- Nature mourant : the fictiveness of Dutch realism
- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617
- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars
- "Small-scale violence"
- The darker spirit : Van Huysum's heaps
- Posies : the bouquet as pretext of occasion
- Joris Hoefnagel and the roots of Dutch flower painting
- Conclusion. Allegorical capture and interpretive release.