Caterpillage reflections on seventeenth century Dutch still life painting /
Gorde:
| Egile nagusia: | |
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| Erakunde egilea: | |
| Formatua: | Baliabide elektronikoa eBook |
| Hizkuntza: | ingelesa |
| Argitaratua: |
New York :
Fordham University Press,
2011.
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| Edizioa: | [1st ed.]. |
| Gaiak: | |
| Sarrera elektronikoa: | An electronic book accessible through the World Wide Web; click to view |
| Etiketak: |
Etiketa erantsi
Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!
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Aurkibidea:
- Prologue
- Hyperreality and truthiness
- Reading Blake's "The Sick rose"
- Ethics versus technics in seventeenth-century Dutch still life
- Vanitas : the McGuffin of still life
- Still life, trade, and truthiness
- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615
- Nature mourant : the fictiveness of Dutch realism
- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617
- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars
- "Small-scale violence"
- The darker spirit : Van Huysum's heaps
- Posies : the bouquet as pretext of occasion
- Joris Hoefnagel and the roots of Dutch flower painting
- Conclusion. Allegorical capture and interpretive release.