Caterpillage reflections on seventeenth century Dutch still life painting /
Wedi'i Gadw mewn:
| Prif Awdur: | |
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| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
New York :
Fordham University Press,
2011.
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| Rhifyn: | [1st ed.]. |
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Prologue
- Hyperreality and truthiness
- Reading Blake's "The Sick rose"
- Ethics versus technics in seventeenth-century Dutch still life
- Vanitas : the McGuffin of still life
- Still life, trade, and truthiness
- The pretext of occasion : Floris van Dijck's Laid table with cheese and fruit, c. 1615
- Nature mourant : the fictiveness of Dutch realism
- The embarrassment of niches : Christoffel van den Berghe's Vase of flowers in a stone niche, 1617
- Nature mourant : Bosschaert's Leaves, Merian's Caterpillars
- "Small-scale violence"
- The darker spirit : Van Huysum's heaps
- Posies : the bouquet as pretext of occasion
- Joris Hoefnagel and the roots of Dutch flower painting
- Conclusion. Allegorical capture and interpretive release.