Women and revenge in Shakespeare gender, genre, and ethics /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Selinsgrove, Pa. :
Susquehanna University Press,
2011.
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Women and revenge: some literary, iconographic, and intellectual foundations
- Valorous tongues, lamenting voices: the expressive ethics of female inciters in Shakespeare's plays
- Reporting the women's causes aright: wounded names and revenge narratives in Hamlet, Titus Andronicus, and Much ado about nothing
- Hecuba's legacy: wounded maternity and vengeance in the First tetralogy and Titus Andronicus
- "Revenging home": Cordelia and the virtue of vengeance
- Twelfth night, or what Maria wills
- Feminine vindication and the social drama of revenge in The merry wives of Windsor
- The quality of revenge: debt, reciprocity, and Portia's "vantage" in The merchant of Venice
- Women's gall, women's grace: female friendship, moral rebuke, and the vindictive passions.