From film adaptation to post-celluloid adaptation rethinking the transition of popular narratives and characters across old and new media /
Sábháilte in:
| Príomhchruthaitheoir: | |
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| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York :
Continuum,
2010.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction
- Towards the intertextual dialogism approach
- Towards post-celluloid adaptation
- From the pre-diction of crime to the pre-vision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report
- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love
- Bullet-time, blood spraying time, and the adaptation of the graphic novel
- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing
- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation
- Conclusion.