From film adaptation to post-celluloid adaptation rethinking the transition of popular narratives and characters across old and new media /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
New York :
Continuum,
2010.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Introduction
- Towards the intertextual dialogism approach
- Towards post-celluloid adaptation
- From the pre-diction of crime to the pre-vision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report
- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love
- Bullet-time, blood spraying time, and the adaptation of the graphic novel
- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing
- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation
- Conclusion.