Milton and the Reformation aesthetics of the passion
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Leiden [Netherlands] ; Boston :
Brill,
2010.
|
| Ráidu: | Studies in the history of Christian traditions ;
v. 145. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Introduction: Milton's poetics of absence and restoration
- Strategies for depicting the Son in Christian art
- Iconoclasm as an artistic strategy
- The post-Reformation passion
- Milton's alternative passion
- "No death!" : rewriting the Protestant elegy in Milton's early poems
- The art of omission and supplement in Paradise lost
- Paradise regained and the art of the incarnation
- Rewriting the Christus patiens tradition in Samson agonistes
- Epilogue: Broken and whole.