Milton and the Reformation aesthetics of the passion
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Leiden [Netherlands] ; Boston :
Brill,
2010.
|
| Rangatū: | Studies in the history of Christian traditions ;
v. 145. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Milton's poetics of absence and restoration
- Strategies for depicting the Son in Christian art
- Iconoclasm as an artistic strategy
- The post-Reformation passion
- Milton's alternative passion
- "No death!" : rewriting the Protestant elegy in Milton's early poems
- The art of omission and supplement in Paradise lost
- Paradise regained and the art of the incarnation
- Rewriting the Christus patiens tradition in Samson agonistes
- Epilogue: Broken and whole.