Margaret Atwood The robber bride, The blind assassin, Oryx and Crake /
Furkejuvvon:
| Searvvušdahkki: | |
|---|---|
| Eará dahkkit: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New York :
Continuum,
2010.
|
| Ráidu: | Continuum studies in contemporary North American fiction.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Negotiating with Margaret Atwood / J. Brooks Bouson
- Magical realism in The robber bride and other texts / Sharon R. Wilson
- Parodic border crossings in The robber bride / Hilde Staels
- You're history : living with trauma in The robber bride / Laurie Vickroy
- "Was I my sister's keeper?" The blind assassin and problematic feminisms / Fiona Tolan
- Narrative multiplicity and the multi-layered self in The blind assassin / Magali Cornier Michael
- "If you look long enough" : photography, memory, and mourning in The blind assassin / Shuli Barzilai
- Moral/environmental debt in Payback and Oryx and Crake / Shannon Hengen
- Problematic paradice in Oryx and Crake / Karen Stein
- The apocalyptic imagination in Oryx and Crake / Mark Bosco.