Margaret Atwood The robber bride, The blind assassin, Oryx and Crake /
I tiakina i:
Kaituhi rangatōpū: | |
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Ētahi atu kaituhi: | |
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
New York :
Continuum,
2010.
|
Rangatū: | Continuum studies in contemporary North American fiction.
|
Ngā marau: | |
Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Negotiating with Margaret Atwood / J. Brooks Bouson
- Magical realism in The robber bride and other texts / Sharon R. Wilson
- Parodic border crossings in The robber bride / Hilde Staels
- You're history : living with trauma in The robber bride / Laurie Vickroy
- "Was I my sister's keeper?" The blind assassin and problematic feminisms / Fiona Tolan
- Narrative multiplicity and the multi-layered self in The blind assassin / Magali Cornier Michael
- "If you look long enough" : photography, memory, and mourning in The blind assassin / Shuli Barzilai
- Moral/environmental debt in Payback and Oryx and Crake / Shannon Hengen
- Problematic paradice in Oryx and Crake / Karen Stein
- The apocalyptic imagination in Oryx and Crake / Mark Bosco.