Arcimboldo visual jokes, natural history, and still-life painting /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Chicago ; London :
University of Chicago Press,
2009.
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
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|
Sisdoallologahallan:
- Introduction
- Arcimboldo's Lombard origins
- Arcimboldo from 1562: the creation of composite heads
- Learning, poetry, and art
- Serious jokes
- Natural philosophy, natural history, and nature painting
- Nature studies
- Arcimboldo and the origins of still life
- Arcimboldo's paradoxical paintings and the origins of still life
- Conclusion: Arcimboldo in the history of art
- Appendix 1. Arcimboldo, the Facchini, and popular culture
- Appendix 2. Arcimboldo and Meda at Monza
- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi letter, Bologna
- Dresden Kupferstich-kabinett ca 213, Vienna (cod. min. 42) and the 'museum' of Rudolf II (cod min. 129 and 130).