The American musical and the performance of personal identity
محفوظ في:
| المؤلف الرئيسي: | |
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| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Princeton, N.J. :
Princeton University Press,
2009, c2006.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973))
- The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)).
- Personal themes. Fairy tales and fantasy (Snow White and the Seven Dwarfs (animated film, 1937). The Wizard of Oz (film, 1939). Mary Poppins (film, 1964). Into the woods (1987))
- Idealism and inspiration (Camelot (1960). Man of La Mancha (1965). The scarlet pimpernel (1997). Once more, with feeling (television, 2001))
- Gender and sexuality (Annie get your gun (1946). Gypsy (1959). Sweet Charity (1966). The Rocky horror picture show (film, 1975). Hedwig and the angry inch (1998; film, 2001))
- Relationships (Lady in the dark (1941). Kiss me, Kate (1948). My fair lady (1956). Company (1970). Passion (1994)).
- Epilogue. Operatic ambitions and beyond (Candide (1956). Sweeney Todd (1979). Evita (1979)).