Terror tracks music, sound and horror cinema /
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Format: | Électronique eBook |
Langue: | anglais |
Publié: |
London ; Oakville, CT :
Equinox,
2009.
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Collection: | Genre, music and sound.
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Sujets: | |
Accès en ligne: | An electronic book accessible through the World Wide Web; click to view |
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Table des matières:
- Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki
- An audiovisual foreshadowing in Psycho / Scott Murphy
- Sound and music in Hammer's vampire films / Michael Hannan
- Creative soundtrack expression : Toro Takemitsu's score for Kwaidan / Kyoko Koizumi
- Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell
- Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward
- Rhythms of evil : exorcising sound from The exorcist / Mark Evans
- Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward
- Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham
- Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard
- Scary movies, scary music : uses and unities of metal in the contemporary horror film / Lee Barron and Ian Inglis
- Like razors through flesh : Hellraiser/s sound design and music / Karen Collins
- Spooked by sound : the Blair witch project / Rebecca Coyle
- Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor
- Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian
- The ghostly noise of J-horror : roots and ramifications / James Wierzbicki.