Tonality as drama closure and interruption in four twentieth-century American operas /
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| Κύριος συγγραφέας: | |
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| Συγγραφή απο Οργανισμό/Αρχή: | |
| Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
| Γλώσσα: | Αγγλικά |
| Έκδοση: |
Denton, Tex. :
University of North Texas Press,
c2008.
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| Θέματα: | |
| Διαθέσιμο Online: | An electronic book accessible through the World Wide Web; click to view |
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Πίνακας περιεχομένων:
- Tonality as drama: an introduction
- Dramatic closure: the Stanislavsky system and the attainment of character objectives
- Tonal closure: a Schenkerian approach to tonal drama
- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).