Jazz religion, the second line, and Black New Orleans
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington :
Indiana University Press,
c2009.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : Follow the second line
- The Haiti-New Orleans vodou connection : Zora Neale Hurston as initiate observer
- Mardi Gras Indians and second lines, sequin artists and rara bands : street festivals and performances in New Orleans and Haiti
- Interlude: The healing arts of African diasporic religion
- In rhythm with the spirit : New Orleans jazz funerals and the African diaspora
- Epilogue : A jazz funeral for "a city that care forgot" : the New Orleans diaspora after Hurricane Katrina.