Homecoming queers desire and difference in Chicana Latina cultural production /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New Brunswick, N.J. :
Rutgers University Press,
c2009.
|
| Rangatū: | Latinidad.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Queering home: desire meets theory meets art
- Speaking selves: language and identity in transition
- Moving violations: performing the limits of representation in Marga Gomez's Jaywalker
- The birdy and the bees: queer Chicana girlhood in Carla Trujillo's What night brings
- Complicating community: Terri De La Peña, Cristina Serna, Frances Negrón Muntaner, Ela Troyano, and Carmelita Tropicana
- The erotics of home: Monica Palacios, Marga Gomez, and Carmelita Tropicana
- Dancing with devils: gendered violence in novels by Emma Pérez and Achy Obejas
- Our art is our weapon: women of color transforming academia.