Driven to darkness Jewish émigré directors and the rise of film noir /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New Brunswick, N.J. :
Rutgers University Press,
c2009.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Jews in Germany : torn between two worlds
- Jews and expressionism : "performing high and low"
- The father of film noir : Fritz Lang
- Fritz Lang in Hollywood
- The French connection : Robert Siodmak
- Viennese twins : Billy and Willy Wilder
- The ABZs of film noir : Otto Preminger and Edgar G. Ulmer
- Woman's directors : Curtis Bernhardt and Max Ophuls
- Pathological noir, populist noir, and an act of violence : John Brahm, Anatole Litvak, Fred Zinnemann.