Melville, mapping and globalization literary cartography in the American baroque writer /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
London ; New York :
Continuum,
c2009.
|
| Rangatū: | Continuum literary studies.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Preface: "when Leviathan's the text"
- Out of bounds: Melville's American baroque
- Spaces of American literature: geography and narrative form
- 'An everlasting terra incognita': globalization and world literature
- Anti-Ishmael
- Marine nomadology: Melville's antinomy of pure reason
- 'spaces that before were blank': the utopia of the periphery
- A prosy stroll: overview and the urban itinerary
- The ambiguities of place: local narrative and the global city
- Conclusion: "Leviathan is not the biggest fish", or, the cartography of the Kraken.