History, memory, and the literary left modern American poetry, 1935-1968 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Iowa City :
University of Iowa Press,
c2006.
|
| Rangatū: | Contemporary North American poetry series.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The janitor's poems of every day: American poetry and the 1930's
- Buried history: the popular front poetics of Muriel Rukeyser's The book of the dead
- Allegories of salvage: the peripheral vision of Elizabeth Bishop's North & South
- Harlem Disc-tortions: the jazz memory of Langston Hughes's Montage of a dream deferred
- A reportage and Redemption: the poetics of African American countermemory in Gwendolyn Brook's In the Mecca
- A metamorphic palimpsest: the underground memory of Thomas McGrath's Letter to an imaginary friend
- The spectre of the 1930s: George Oppen's Of being numerous and historical amnesia.