Shakespeare and Chekhov in production and reception theatrical events and their audiences /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Iowa City :
University of Iowa Press,
c2005.
|
| Ráidu: | Studies in theatre history and culture.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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|
Sisdoallologahallan:
- Defining theatrical event and audience research
- Spectatorship social audiences, and risk: Shakespeare and the Q theatre
- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard
- The "reading Chekhov" project: social audiences and reading formations
- The theatrical event: inner and outer audience frames
- Contextual theatricality: the theatrical event as occasion and place
- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard
- Playing culture: pleasurable play in The free state and The cherry orchard
- Theatrical playing: Much Ado, mediatization and "liveness".