Shakespeare and Chekhov in production and reception theatrical events and their audiences /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Iowa City :
University of Iowa Press,
c2005.
|
| Sraith: | Studies in theatre history and culture.
|
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- Defining theatrical event and audience research
- Spectatorship social audiences, and risk: Shakespeare and the Q theatre
- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard
- The "reading Chekhov" project: social audiences and reading formations
- The theatrical event: inner and outer audience frames
- Contextual theatricality: the theatrical event as occasion and place
- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard
- Playing culture: pleasurable play in The free state and The cherry orchard
- Theatrical playing: Much Ado, mediatization and "liveness".