Shakespeare and Chekhov in production and reception theatrical events and their audiences /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Iowa City :
University of Iowa Press,
c2005.
|
| Cyfres: | Studies in theatre history and culture.
|
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
Tabl Cynhwysion:
- Defining theatrical event and audience research
- Spectatorship social audiences, and risk: Shakespeare and the Q theatre
- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard
- The "reading Chekhov" project: social audiences and reading formations
- The theatrical event: inner and outer audience frames
- Contextual theatricality: the theatrical event as occasion and place
- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard
- Playing culture: pleasurable play in The free state and The cherry orchard
- Theatrical playing: Much Ado, mediatization and "liveness".