Shakespeare and Chekhov in production and reception theatrical events and their audiences /
محفوظ في:
المؤلف الرئيسي: | |
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مؤلف مشترك: | |
التنسيق: | الكتروني كتاب الكتروني |
اللغة: | الإنجليزية |
منشور في: |
Iowa City :
University of Iowa Press,
c2005.
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سلاسل: | Studies in theatre history and culture.
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الموضوعات: | |
الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Defining theatrical event and audience research
- Spectatorship social audiences, and risk: Shakespeare and the Q theatre
- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard
- The "reading Chekhov" project: social audiences and reading formations
- The theatrical event: inner and outer audience frames
- Contextual theatricality: the theatrical event as occasion and place
- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard
- Playing culture: pleasurable play in The free state and The cherry orchard
- Theatrical playing: Much Ado, mediatization and "liveness".