Poetic obligation ethics in experimental American poetry after 1945 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Iowa City :
University of Iowa Press,
c2008.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: The double-double turn
- pt. 1. Objectivist poethics
- Saying obligations: George Oppen's Of being numerous
- A phenomenology of judgment: Charles Reznikoff's Holocaust
- pt. 2. Excess and eros. The ethics of excess: Edward Dorn's Gunslinger
- The body ethical: Robert Duncan's Passages
- pt. 3. An ethics of sexual alterity. The nearnes sof poetry: Susan Howe's The nonconformist's memorial
- Permeable ethics: Lyn Hejinian's The cell
- Conclusion: What difference does poetic obligation make?