Art, myth, and society in Hegel's aesthetics
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
London ; New York :
Continuum,
2009.
|
| Ráidu: | Continuum studies in philosophy.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction
- The symbolic form of art
- Kant's theory of the mathematical sublime and the boundlessness of the symbolic form of art
- The classical sublimity of Judaism
- The classical form of art
- The original epic
- The ideal
- The transition to the revealed religion and the romantic form of art
- The revealed religion
- Representational thought and the romantic form of art
- Traces of left-hegelianism in Hegel's lectures on aesthetics
- The end of mythology
- The significance of Kierkegaard's interpretation of Don Giovanni in relation to Hegel's theory of the end of art
- The end of art
- The opera as a modern art form
- Hegel and Lukács's on the possibility of a modern epic
- The problem of a modern epic
- The modern epic and history
- Civil society as the background to the modern epic
- Myth and society : a common theme in the thought of Hegel and Sorel
- Sorel's myth of the general strike
- Myth and modern ethical life.