Art, myth, and society in Hegel's aesthetics
محفوظ في:
| المؤلف الرئيسي: | |
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| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
London ; New York :
Continuum,
2009.
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| سلاسل: | Continuum studies in philosophy.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
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جدول المحتويات:
- Introduction
- The symbolic form of art
- Kant's theory of the mathematical sublime and the boundlessness of the symbolic form of art
- The classical sublimity of Judaism
- The classical form of art
- The original epic
- The ideal
- The transition to the revealed religion and the romantic form of art
- The revealed religion
- Representational thought and the romantic form of art
- Traces of left-hegelianism in Hegel's lectures on aesthetics
- The end of mythology
- The significance of Kierkegaard's interpretation of Don Giovanni in relation to Hegel's theory of the end of art
- The end of art
- The opera as a modern art form
- Hegel and Lukács's on the possibility of a modern epic
- The problem of a modern epic
- The modern epic and history
- Civil society as the background to the modern epic
- Myth and society : a common theme in the thought of Hegel and Sorel
- Sorel's myth of the general strike
- Myth and modern ethical life.