Film festivals from European geopolitics to global cinephilia /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Amsterdam :
Amsterdam University Press,
c2007.
|
| Rangatū: | Film culture in transition.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : film festivals as sites of passage
- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit
- 2. Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands
- 3. Venice and the value-adding process : the role of mediation, segregation and agenda setting
- 4. Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events
- Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network.