The critical nexus tone-system, mode, and notation in early medieval music /

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Bibliographic Details
Main Author: Atkinson, Charles M. (Charles Mercer), 1941-
Corporate Author: ebrary, Inc
Format: Electronic eBook
Language:English
Published: Oxford ; New York : Oxford University Press, 2009.
Series:AMS studies in music.
Subjects:
Online Access:An electronic book accessible through the World Wide Web; click to view
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010 |z  2007011368 
020 |z 9780195148886 (alk. paper) 
020 |z 0195148886 (alk. paper) 
035 |a (CaPaEBR)ebr10288320 
035 |a (OCoLC)646809720 
040 |a CaPaEBR  |c CaPaEBR 
050 1 4 |a ML174  |b .A85 2009eb 
082 0 4 |a 781.2/63  |2 22 
100 1 |a Atkinson, Charles M.  |q (Charles Mercer),  |d 1941- 
245 1 4 |a The critical nexus  |h [electronic resource] :  |b tone-system, mode, and notation in early medieval music /  |c Charles M. Atkinson. 
260 |a Oxford ;  |a New York :  |b Oxford University Press,  |c 2009. 
300 |a xiii, 306 p. :  |b ill., music. 
490 1 |a AMS studies in music 
504 |a Includes bibliographical references (p. 259-291) and indexes. 
505 0 |a The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo. 
533 |a Electronic reproduction.  |b Palo Alto, Calif. :  |c ebrary,  |d 2013.  |n Available via World Wide Web.  |n Access may be limited to ebrary affiliated libraries. 
650 0 |a Music theory  |x History  |y 500-1400. 
650 0 |a Music theory  |x History  |y To 500  |x Influence. 
655 7 |a Electronic books.  |2 local 
710 2 |a ebrary, Inc. 
830 0 |a AMS studies in music. 
856 4 0 |u http://site.ebrary.com/lib/daystar/Doc?id=10288320  |z An electronic book accessible through the World Wide Web; click to view 
908 |a 170314 
942 0 0 |c EB 
999 |c 97869  |d 97869