Let's make some noise axé and the African roots of Brazilian popular music /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Jackson :
University Press of Mississippi,
c2008.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Sacred/secular influences: the reinvention of West African àsé in Brazil
- From the sacred to the secular: popularizing candomblé rhythms
- Axé embodiment in Brazilian popular music: sacred themes, imagery, and symbols
- The sacred/secular popularity of drums and drummers
- Secular impulses: dancing to the beats of different drummers
- Say it loud! I'm Black and I'm proud: popular music and axé embodiment in Bahian carnival/ijexá
- Stylizing axé as Brazilian popular music.