Let's make some noise axé and the African roots of Brazilian popular music /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Jackson :
University Press of Mississippi,
c2008.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Sacred/secular influences: the reinvention of West African àsé in Brazil
- From the sacred to the secular: popularizing candomblé rhythms
- Axé embodiment in Brazilian popular music: sacred themes, imagery, and symbols
- The sacred/secular popularity of drums and drummers
- Secular impulses: dancing to the beats of different drummers
- Say it loud! I'm Black and I'm proud: popular music and axé embodiment in Bahian carnival/ijexá
- Stylizing axé as Brazilian popular music.