Authorship in film adaptation
محفوظ في:
| مؤلف مشترك: | |
|---|---|
| مؤلفون آخرون: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Austin :
University of Texas Press,
2008.
|
| الطبعة: | 1st ed. |
| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Mildred Pierce : a troublesome property to script / Albert J. Lavalley
- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch
- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer
- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini
- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Muñoz
- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo
- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer
- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau
- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher
- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia
- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb
- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth.