A bird dance near Saturday City Sidi Ballo and the art of West African masquerade /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington :
Indiana University Press,
c2008.
|
| Rangatū: | African expressive cultures.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: An explosion of art at Dogoduman
- The performance
- How to view a bird dance
- Sidi Ballo at Dogoduman
- A closer look at Sidi Ballo
- Individuals intertwined
- Sidi Ballo's aesthetic milieu
- Form reconsidered in Mande light
- A Mande aesthetic profile
- An aesthetic of affect
- Expanding the beholder's share
- An atmosphere for Sidi Ballo's bird dance
- Conclusion: Bird masquerading is alive and well.