Grotesque relations modernist domestic fiction and the U.S. welfare state /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Oxford ; New York :
Oxford University Press,
2008.
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
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Sisdoallologahallan:
- Introduction: "As with a startling picture" : modernism and the domestic sphere
- "For she asks forever only help" : the critique of maternalist reform discourse in Djuna Barnes's Ryder
- Tortured bodies and twisted words : the antidomestic vision of Jean Toomer's Cane
- Freaked : eastern European immigration and the "American home" in Edna Ferber's American beauty
- "Not sentimental" : the double bind of white working-class femininity in Tillie Olsen's Yonnondio
- Siren calls : consumer revolution and the body beautiful in Nathanael West's The day of the locust
- "Not charity yet!" : state-supported capitalism and the secret life of god in Flannery O'Connor's Wise blood.