Performing women and modern literary culture in Latin America intervening acts /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Austin :
University of Texas Press,
2006.
|
| Preanttus: | 1st ed. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- The "fatal fact" of the new woman writer in Latin America, 1920s-1930s
- Alfonsina Storni's misfits: a critical refashioning of poetisa aesthetics
- Walking backwards: Victoria Ocampo's scenes of intrusion
- No place like home : Norah Lange's art of anatomy
- Choreography with words : Nellie Campobello's search for a writer's pose
- "Dressing and undressing the mind" : Antonieta Rivas Mercado's unfinished performance
- Acts of literary privilege in Havana : Mariblanca Sabas Alomá and Ofelia Rodríguez Acosta
- Ad-libs by the women of Amauta : Magda Portal and María Wiesse
- A refusal to perform : Patrícia Galvão's spy on the wall.