Cinema Houston from Nickelodeon to Megaplex /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Austin :
University of Texas Press,
2007.
|
| Preanttus: | 1st ed. |
| Ráidu: | Texas film and media studies series.
Roger Fullington series in architecture. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction
- Staged origins
- The nickelodeons
- Bigger and better
- The majestics
- The main three : the metropolitan, the Kirby, and Loew's state
- The later 1920s : you ain't heard nothing yet!
- Will Horwitz, philanthropist
- The neighborhood theatre, 1934-1949
- Hoblitzelle's interstate
- Jim Crow and the ethnic theatre
- The fifties : the incredible 3-d wide-screen technicolor stereophonic-sound ballyhoo parade
- The drive-in : a view from the car seat
- The sixties : the times, they are a-changin'
- The x-houses
- From multicinema to multiplex : safety in numbers
- Let them eat candy : the concession stand
- Beyond the fringe : midnight movies and the alternative cinema
- Rediscovery in the age of the megaplex
- Perspectives : an afterword
- Notes.