Cinema Houston from Nickelodeon to Megaplex /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Austin :
University of Texas Press,
2007.
|
| Putanga: | 1st ed. |
| Rangatū: | Texas film and media studies series.
Roger Fullington series in architecture. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Staged origins
- The nickelodeons
- Bigger and better
- The majestics
- The main three : the metropolitan, the Kirby, and Loew's state
- The later 1920s : you ain't heard nothing yet!
- Will Horwitz, philanthropist
- The neighborhood theatre, 1934-1949
- Hoblitzelle's interstate
- Jim Crow and the ethnic theatre
- The fifties : the incredible 3-d wide-screen technicolor stereophonic-sound ballyhoo parade
- The drive-in : a view from the car seat
- The sixties : the times, they are a-changin'
- The x-houses
- From multicinema to multiplex : safety in numbers
- Let them eat candy : the concession stand
- Beyond the fringe : midnight movies and the alternative cinema
- Rediscovery in the age of the megaplex
- Perspectives : an afterword
- Notes.