Communication in eighteenth-century music
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | , |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Cambridge, UK ; New York :
Cambridge University Press,
2008.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Communication and the market.
- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley
- Listening to listeners / Mark Evan Bonds
- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck
- Part II : Musical grammar
- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka
- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein
- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin
- Part III : Rhetorical form and topical decorum
- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer
- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu
- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook
- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski.