Dying swans and madmen ballet, the body, and narrative cinema /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
New Brunswick, N.J. :
Rutgers University Press,
c2008.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Introduction : ballet in tin cans
- A channel for progress : theatrical dance, popular culture, and (the) American Ballet
- Gender, genre, and the ballet film through 1947 : part 1, the life of a ballerina is indeed tough
- Gender, genre, and the ballet film through 1947 : part 2, the man was mad--but a genius!
- If you can disregard the plot : the red shoes in an American context
- The second act will be quite different : cinema, culture, and ballet in the 1950s
- Turning points :
- Ballet and its bodies in the "post-studio" era.