Juan Bautista Plaza and musical nationalism in Venezuela
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington :
Indiana University Press,
c2007.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Background. Introduction : Early twentieth-century art music culture in Caracas; the significance of Plaza and his colleagues ; A portrait of Plaza : the man, the musician ; the composer
- Plaza's life and works. Beginnings; first compositions; vocational indecision; first writings on music (1898-1920) ; Rome; plans for musical renewal in Venezuela (1920-1923) ; Paid to compose : the chapel mastership (1923-1948) ; The educator, part 1 (1923-1928) ; The early secular and nationalist compositions (1924-1929) ; The nascent journalist (1925-1928) ; The founding of the Orfeón Lamas, and Plaza's creative response (1927-1963) ; Plaza and the Orquesta Sinfónica Venezuela (1930-1957) ; The mature journalist; writings on nationalism in music (1929-1948) ; The principal nationalist compositions with instruments (1930-1956) ; The educator, part 2 (1930-1941) ; The musicological pioneer (1936-1964) ; Plaza as the subject of reportage ; The later non-nationalist compositions (1930s-1963) ; The educator, part 3 (1942-1962) ; Retirement : final thoughts on education and culture (1962-1964) ; Plaza in retrospect.