Music divided Bartók's legacy in cold war culture /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Berkeley :
University of California Press,
c2007.
|
| Ráidu: | California studies in 20th-century music ;
7. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Bartók's Concerto for orchestra and the demise of Hungary's "third road"
- A compromised composer : Bartók's music and Western Europe's fresh start
- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy
- Bartók and his publics : defining the "modern classic"
- Beyond the folk song; or, what was Hungarian socialist realist music?
- The "Bartók question" and the politics of dissent : the case of András Mihály
- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956
- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.