Making easy listening material culture and postwar American recording /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Minneapolis :
University of Minnesota Press,
c2006.
|
| Cyfres: | Commerce and mass culture series.
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| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Introduction : opening tracks
- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians
- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object
- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio
- Conclusion : the flip side (and a few concluding thoughts).