Making easy listening material culture and postwar American recording /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
Minneapolis :
University of Minnesota Press,
c2006.
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| سلاسل: | Commerce and mass culture series.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Introduction : opening tracks
- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians
- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object
- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio
- Conclusion : the flip side (and a few concluding thoughts).