Make believe in film and fiction visual vs. verbal storytelling /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
New York :
Palgrave Macmillan,
2006.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|
جدول المحتويات:
- Brutal Beginnings: Imagining Murder/ Watching Murder
- Moving Eyes, Moving Sculptures
- Inside and outside Somebody Else's Fantasy
- Make Believe Is Always a Story
- Single-Handed and Collective Make Believe
- Movies and Hyper-Visual Culture
- La Strada and the Conjecturing Imagination
- Madame Bovary: Linguistic Configurings of Imaginative Corruption
- Rashomon and Wuthering Heights
- Form in Visual Storytelling: Buster Keaton's The General
- Genre and Transforming Sources: High Noon Forenoon
- Seeing and Imagining Ethical Crises: High Noon: Afternoon
- Great Expectations: Insights from the Impossibility of Adaptation
- Magnifying Criminality: Fargo, Film Noir, and A Perfect World
- Innovative Lawfulness: Learning to Read.