Terror and the sublime in art and critical theory from Auschwitz to Hiroshima to September 11 /
محفوظ في:
| المؤلف الرئيسي: | |
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| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
New York :
Palgrave Macmillan,
2005.
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| سلاسل: | Studies in European culture and history.
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| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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جدول المحتويات:
- Introduction : the hit
- Ch. 1. Reading the Lisbon earthquake : Adorno, Lyotard, and the contemporary sublime
- Ch. 2. Joseph Beuys and the "after-Auschwitz" sublime
- Ch. 3. Ground Zero : Hiroshima haunts "9/11"
- Ch. 4. Mirroring evil : Auschwitz, art and the "war on terror"
- Ch. 5. Little glass house of horrors : taking Damien Hirst seriously
- Ch. 6. Blasted moments : remarking a Hiroshima image
- Ch. 7. Installing a "new cosmopolitics" : Derrida and the writers
- Ch. 8. Working out and playing through : Boaz Arad's Hitler videos
- Ch. 9. Listening with the third ear : echoes from Ground Zero
- Ch. 10. Conditioning Adorno : "after Auschwitz" now.